Michael's New Book Available June 2019
City Songs and American Life, 1900-1950
"I believe that the songs of the first half of the twentieth century are essentially urban, more in sensibility than subject matter," -- Michael Lasser
Nothing defines the songs of the Great American Songbook more richly and persuasively than their urban sensibility. During the first half of the twentieth century, songwriters flourished in New York City, the home of Tin Pan Alley, Broadway, and Harlem. A lot of them were native New Yorkers, or else they got to Gotham as fast as they could. It was as if they were standing on the West Side of Manhattan, facing west and describing America to the Americans: not its geography or politics, but its heart.
Michael Lasser's introductin to City Songs and American Life, 1900-1950 describes his coming of age in Broadway theaters and jazz clubs around Manhattan in the 1950's. The following chapters look closely at songs, but the book never ceases to give one man's take on the music he has lived with for more than half a century. First in exploration of the ways in which songs portrayed Broadway and Harlem. Then a chronological look at how the urban sensibility evolved in the early decades of the century, followed by the Twenties, the Great Depression, and World War II.
Michael Lasser, a former teacher, theater critic, is host of the syndicated public-radio show Facinatin' Rhythm (winner of the Peabody Award) and the author of two previous books. For an inscribed copy, contact firstname.lastname@example.org.
Michael Lasser's City Songs is the most engaging, comprehensive, and provocative examination of the Great American Songbook that I've encountered. No surprise to anyone familiar with his award-winning weekly radio series Facsinatin' Rhythm, Lasser write with the "dazzling economy' of the best lyrics and lyricists that he elucidates. His book convinced me that the songs of the first half of the 20th century were indeed 'urban creatures' who 'sang the city electirc' by merging sentiment and wit into a unique amalgam, mingling the 'jingle of jazz and the jangle of slang" with "the clang and clamor" of the American metrolpolis, as Lasser so unforgettably characterizes it! -- Kim H. Kowalke, President, Kurt Weill Foundation for Music and Professor of Musicoloy, Eastman School of Music
Michael's Previous Books:
America's Songs: The Stories Behind the Songs of Broadway, Hollywood, and Tin Pan Alley, 2006 (co-authored with Philip Furia)
America's Songs II: From the 1890's to the Post War Years, 2013
Check out Amazon.com to order.
America's Songs II - Songs from the 1890's to the Post-War Years
By Michael Lasser
Routledge, December 2013
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"The book [is] an engaging read of creative impulses from song to song in chronological order... A good resource for those interested in the history of these songs and the composers who wrote them... Recommended." -- M. Goldsmith, Elms College, CHOICE (September 2014)
Michael Lasser has given us an abundance of fascinating facts and appealing and delightful anecdotes about songs that have been familiar to me for so much of my life, that I tend to regard them as old friends. My fondness for these ‘old friends’ whets my curiosity about their origins and about the songwriters who wrote them – I believe that the millions who continue to respond to the music of composers like Irving Berlin, George Gershwin, and Jule Styne will derive pleasure from getting to know something about these songs and these writers, too. – Sheldon Harnick, Lyricist, Fiddler on the Roof, She Loves Me, Fiorello
America’s Songs II: Songs from the 1890’s to the Post-War Years tells more stories behind the most beloved popular songs of the last century, revealing the many ways in which the creative collaborations between composer and lyricist led to songs that combined rich melodies, sophisticated harmonies, and smart rhythms with lyrics that reflected the slangy vitality of American speech, creating music both timeless and emotionally resonant. This companion to the bestselling America’s Songs reveals how intention and tuition, hard work and good luck, and beneath it all, an implicit sense of mastery, helped craft some of these golden standards of American musical history, and uncovers a rich trove of anecdotes that explore the intricacies of these dynamic relationships between some of the 20thcentury’s most well-known composers and lyricists.
America’s Songs I - The Stories Behind the Songs of Broadway, Hollywood, and Tin Pan Alley
By Philip Furia and Michael Lasser
Routledge, May 2006
“A fascinating new book.” -- Howard Kissel, Drama Critic, New York Daily News
"A Wonderful Book" -- Tom Strini, Music Critic, Milwaukee Journal Standard
“Song,” the book begins, “is the most beloved of the arts.” And this book is in love with songs – mainly with American songs from the first half of the twentieth century, when our greatest songwriters – from Irving Berlin to George and Ira Gershwin, from Cole Porter to Richard Rodgers and Oscar Hammerstein – were at the height of their powers.
Writing about the greatest songs of the “Golden Age of American Song,” the book shows how they join music and words, sentiment and wit, into a seamless whole. It also traces the unpredictable give-and-take between composer and lyricist that results in a finished song.
Some readers will want to trace the songs chronologically from cover to cover, from “Some of These Days” in 1910 to “New York, New York” in 1977. Others will take a more spontaneous approach: open to a page and start to read. One reader emailed:
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